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ANTHOLOGIES & CATALOGS
How Many Billboards? Art In Stead
Exhibition catalogue for How Many Billboards? Art In Stead, an urban exhibition that debuted 21 newly commissioned artworks by leading contemporary artists, presented simultaneously on billboards throughout Los Angeles.
This 168 page, full-color publication documents and reflects upon the exhibition and its context, and includes contributions by project initiator and MAK Center director Kimberli Meyer; co-curators Lisa Henry, Nizan Shaked, and Gloria Sutton; public art consultant Sara Daleiden; attorney and intellectual property expert Christine Steiner; curator, critic, and director of the Master of Public Art Studies Program: Art/Curatorial Practices in the Public Sphere at USC Joshua Decter; writer, artist and curator Janet Owen-Driggs; and artist and director of Freewaves Anne Bray. Photographs of the artworks in situ by architect Gerard Smulevich and photographer patricia parinejad are featured. The book was edited by C.E.O and Artistic Director of the MAK Vienna, Peter Noever, and Kimberli Meyer; published by Verlag für moderne Kunst Nürnberg; and distributed by D.A.P. Click Here to order.
From Yodeling to Quantum Physics: v. 3
LACMA is pleased to present Ken Gonzales-Day's work in the exhibition Phantom Sightings: Art after the Chicano Movement. Chicano art, traditionally described as work created by Americans of Mexican descent, was established as a politically and culturally inspired movement during the counterculture revolutions of the late 60s and early 70s. The exhibition includes approximately 125 works in all media, including painting, sculpture, installation, conceptual, video, performance art, and intermedia works. Click HERE to order the book of the exhibition Phantom Sightings.
Exile of the Imaginary: Politics Aesthetics Love This collection of art-historic, psychoanalytic and linguistic essays ponders the relationship between post-conceptual art practice and the legacy of Roland Barthes's famed A Lover's Discourse: Fragments--specifically, Barthes's assertion that love can be a critical "medium" in politically turbulent times. With select artworks. Click HERE to order the book of the exhibition Exhile of the Imaginary, presented by the Generali Foundation, Vienna.
Whiteness: A Wayward Construction Whiteness, A Wayward Construction is an exhibition catalogue on the work of twenty-eight contemporary individual artists and collaborative teams employing various media who explore representations of whiteness in the United States. The selection of artists was not restricted to whites but includes artists of various ethnicities. The exhibition was about the image of whiteness in the public imagination and in contemporary art. The publication includes essays by Tyler Stallings, Amelia Jones, David Roediger, and Ken Gonzales-Day.Click HERE to order the book of the exhibition Whiteness: A Wayward Construction, presented by the Laguna Art Museum, Laguna Beach.
Project Series 30: Hang Trees Project Series 30: Ken Gonzales-Day,is an exhibition catalogue on the work exhibited at the Pomona College Museum of Art. The catalogue includes essays, images, and three removable postcards from the Erased Lynching Series. Click HERE to order.
The Body and The Screen: Theories of Internet Spectatorship Internet and computer users are often represented onscreen as active and empowered—as in AOL's striding yellow figure and the interface hand that appears to manipulate software and hypertext links. In The Body and the Screen Michele White suggests that users can more properly be understood as spectators rendered and regulated by technologies and representations, for whom looking and the mediation of the screen are significant aspects of engagement. Drawing on apparatus and feminist psychoanalytic film theories, art history, gender studies, queer theory, critical race and postcolonial studies, and other theories of cultural production, White conceptualizes Internet and computer spectatorship and provides theoretical models that can be employed in other analyses. Click HERE to order.
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